Hokusai - Mount Fuji


THE TIMES - february 2001

"A framers that also sell pictures and posters, although most of its stock is film-orientated. I bring everything here to be framed - it is the first picture framers I have found to be professional and inexpensive. The staff are excellent at giving suggestions and advice"

FRAME GAME

Ed Wilding, proprietor of Paramount Pictures, can easily remember the most unusual piece of art he's framed. "A retired Spanish art critic, living in Mapperley Top, was given an original Goya etching," he says. "He had all these artistic connections and was such an interesting guy. He'd known Jean Paul Satre in Paris in the Sixties.

"I called the Brewhouse Museum to say, 'How do I deal with this?' and they said, 'Whatever you do, don't touch it.' So I framed it wearing gloves. I was fairly nervous."

Usually, Paramount Pictures' most expensive commissions are around £200. Ed shows me an example: a huge black and white Life magazine cover, two thirds scudding cloud to one part American gas station, which he's framed ready for collection. "The sale of the textile mills, turning them into apartments, has really helped us sell bigger pictures," he explains, "People have room for them now."

"The walls of the high ceilinged shop are lined with around 200 pieces of art which Ed has chosen and framed to sell as seen. They mix perennial favourites with those designed to chime in with trends."

Ed used to be an accountant, but after deciding number crunching wasn't for him, he and a friend - his former business partner - started afresh. "The original plan was to be a self employed accountant, so we took the self employed bit and thought, 'What can we do?' I didn't have any particular passion for art, although I've always liked it."

They settled on professional picture framing as someting that could be self taught, using Thatcher's Enterprise Allowance Scheme. Paramount opened near the Broadmarsh Centre in 1985, moving to its present site - part of the old location of Mushroom Books - at Heathcote Street in '86. The walls of the high ceilinged shop are lined with about 200 pieces of art which Ed has chosen and framed to sell-as seen.

They mix perennial favourites with those designed to chime with trends. For example, Vermeers's 'Head Of A Girl In A Turban' is on display at the moment, after it formed the inspiration for the book and recent film Girl With A Pearl Earring starring Scarlet Johansson. And Edward Hopper's Night Window is there to coincide with the current Hopper show at the Tate Modern.

Ed estimates his custom is a 50/50 split between pictures chosen directly from the display, and those specially ordered from his encyclopaedic books of prints. "We offer to order any print that's distributed nationally, and that's quite a unique service. There are tens of thousands of images to choose from... we have Vermeer to Pop Art, Hockney, Warhol or Turner."

In-house, Paramount tends to specialize in more modern art. "It just suits the profile of the customers, I think," Ed says. He can easily pinpoint the all-time best seller: any black and white image of Audrey Hepburn, both stills from Breakfast At Tiffanys and "candids". "She's an icon for young people, old people, gay people... she's androgynous."

Ed believes people have become more open minded about art in the 20 odd years he's been trading. "People would look at Rothko (abstract art) and say 'What the hell is that?' Now they don't need to look at a picture and see straight what 'it is', they're happy to get a feel for it.

When it comes to framing, Paramount uses natural unbleached woods, which can be dyed to create subtle colours. "It is important to match the frame to the artwork. I have people who come in and say, 'My sofa is this colour so I want this frame.'"

'Forget the furniture' is the framing message. You have to look at the picture and the frame as a self-contained unit and make them work together

After two decades, which pictures is Ed sick of looking at? "Personally, I'm not keen on Tamara de Lempicka. Apparantly Hitler really liked her work... with the fascist associations it really leaves me cold. But they're very popular!"

 

The above article appeared in the Weekend supplement of the Nottingham Evening Post by Mhairi McFarlane and is reproduced with kind permission.


 

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